Set includes:
The Sennheiser XSW 2-835 E-Band Vocal Set is an affordable brand-name wireless mic system with an impressive 12 channels, all of which can be operated simultaneously. At the same time, however, it is surprisingly simple to configure, because there is a remote channel for automatic frequency tuning and management. The external aerials provide better reception than many comparable devices, and Sennheiser also manufactures antenna splitters (sold separately), improving the unit's reception even further when working in difficult spaces or using multiple radio links. The LC display provides information on many important parameters, such as battery status and the quality of the radio signal, and the set conveniently also includes a rack kit, allowing the receiver to be installed in any 19" rack, where it will be out of harm's way and protected from dust, dirt, and dents on the road.
The XSW 2-835 E-Band Vocal Set comprises the SKM-XSW35 handheld transmitter, fitted with Sennheiser's dynamic e835 capsule (and an integrated mic clip), and the EM XSW 2 diversity receiver, as well as a power supply unit, batteries, a rack kit, and a carrying pouch. The dynamic cardioid microphone is a real all-rounder, treating listeners to a frequency spectrum of 50Hz to 16kHz. It transmits in the ranges 821 to 832MHz and 863 to 865MHz, frequencies which can be used straight out of the box without further authorisation. The LC display makes menu navigation almost effortless by providing information about the RF and AF levels, radio channel, and frequency; it also displays which of the two true diversity antennae is currently receiving a signal. The transmission power in turn is 10mW. The integrated scan function means that free frequencies can be found instantly when setting up the device, and the transmitter and receiver are easily synchronised via the two devices' Sync buttons: That's all it takes to get started.
The Sennheiser XSW 2-835 E-Band Vocal Set is a professional radio system for presenters, comedians, singers, and in fact anyone with a powerful voice who wants to get their system up and running straight away – without the need for a licence. Its flexibility will also endear it to operators of multifunctional venues, where the handheld transmitter can be used for roundtable discussions, formal presentations, and musical performances. The Sennheiser is also perfect wherever there is a need for multiple broadcast channels: Up to twelve XSW 2 units can be used simultaneously, and as the Sennheiser XSW 2-835 E-Band Vocal Set is equipped with dual-antenna true diversity, the device will automatically and instantly switch to the better signal. Finally, the workmanship of every component is, as is to be expected from Sennheiser, of the highest quality; durability is ensured by such seemingly small details as a strain relief for the mains cable, and the receiver itself is housed in a robust metal casing.
In June 1945, Prof. Fritz Sennheiser founded the Wennebostel Laboratory, which initially produced measuring equipment. Commissioned by Siemens in 1945, the young company developed the MD-1 microphone, which was launched in 1946. After the development of further microphones, the company was renamed Sennheiser Electronic in 1958. Two years later, Sennheiser introduced the MD 421 dynamic microphone, which is still in production today and still held in high esteem by many sound engineers. Further groundbreaking developments, such as the HD 414 headphones and the classic MD 441 microphone, hugely enhanced the company’s international reputation, eventually making Sennheiser one of the leading manufacturers of microphone and headphone systems in the world.
Let's imagine a comedian whose performances often include musical interludes and who prefers to travel with his own microphone - the one with which he's most familiar. He adjusts his handheld transmitter's input sensitivity to prevent clipping during the loud parts. This only has to be done once, by simply opening the battery compartment and testing out each of the four adjustable attenuation options; he can hear which setting suits him best while comparing the audio levels on the display. He can then connect his receiver's XLR or jack output to the mixing console at the venue, quickly optimising the output levels. He finds himself performing on mixed bills more and more often, so he appreciates how easy it is to find an open frequency: His Sennheiser XSW 2-835 E-Band Vocal Set has a broad frequency range and an automatic scan function, which also makes it easy for our comic to integrate his devices into existing setups during the sound check, and eliminates the need for time-consuming and headache-inducing wireless configuration.
In multi-channel setups – i.e., with several wireless systems being operated in parallel – the many adjacent receiving antennae can reduce the system's reception quality and thus its range, and even generate reciprocal interference. Depending on the rack setup and installation location, the antennae may also be concealed, further limiting signal strength. However, if antenna "paddles" are installed on an elevated stand, this can improve the quality of the radio signal. For setups where four or more receivers are installed in one rack, it's advisable to use one or more antenna splitters, which will ideally minimise the number of receiving antennae to a single pair.